The whole system feels more integral now - not to say I don't prefer all the nuance availed from some of my fav reverbs in a DAW - but still I think it's fair to say that reverbs in Pianoteq have quite come of age.
For example, searching this forum for IR files will find a bunch of threads with links to good sources (it's as simple as downloading these and when in Pianoteq, choosing convolution reverb and loading one, like "Church-centre-aisle-omni.WAV or whatever you've downloaded from many collections around, many if not most for free). Convolution reverb = arguably the "best" kind for realism - and it's an option inside Pianoteq - no need for a DAW for this - just find IR files online which measure real spaces and/or hardware equivs). Now we can get a lot of traction from using 'tone' and balance between early reflections and tail of reverbs. Every detail has been painstakingly crafted to bring you the most authentic piano experience ever on iOS.I used to be a lot more of the opinion that reverb needed more work - but much has happened in that time. The final result delivers crystal clear hammer attacks, staccato release trails, and much more. The same quest for the highest fidelity sounds has spurred the deep sampling and meticulous capturing of this piano for the app. The origins of this virtual instrument lie in the masterfully crafted Ravenscroft 275 Titanium Grand Piano - made of 1,000 year old sitka spruce wood with solid titanium string termination points and precise, responsive CAD optimized action.
Launch the app and access the gorgeous tone of this one-of-a-kind concert grand from your iPhone or iPad. Experience the splendor of a Ravenscroft Grand with the most realistic sounding piano ever created for iOS.
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